"Le cantique des cantiques: Dialogue" by Jean-Yves Daniel-Lesur, Netherlands Chamber Choir was released on August 31, 2007. The duration of Le cantique des cantiques: Dialogue is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Le cantique des cantiques: Dialogue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 13 in French Choral Music 2 by Netherlands Chamber Choir. Based on our statistics, Le cantique des cantiques: Dialogue's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le cantique des cantiques: Dialogue by Jean-Yves Daniel-Lesur, Netherlands Chamber Choir is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana | Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-Williams | D Major | 0 | 10B | 85 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Suite médiévale: IV. Complainte | Jean-Yves Daniel-Lesur, Cracow Harp Quintet | D Minor | 0 | 7A | 93 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | A♭ Minor | 2 | 1A | 90 BPM | ||
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM |
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