"Tomorrow Never Knows (Arr. for baroque orchestra and saxophone)" by Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner was released on October 8, 2021. The duration of Tomorrow Never Knows (Arr. for baroque orchestra and saxophone) is about 3 minutes long, at 3:09. Based on our data, "Tomorrow Never Knows (Arr. for baroque orchestra and saxophone)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Time Travel". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tomorrow Never Knows (Arr. for baroque orchestra and saxophone)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tomorrow Never Knows (Arr. for baroque orchestra and saxophone) by Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Suite In Old Style: Prelude: Fanfare From The Balconies - I. Through Mirrored Corridors | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | G Minor | 3 | 6A | 76 BPM | ||
Song About Em | Emmy Lindström, Emil Jonason, Stefan Solyom, Helsingborg Symphony Orchestra | C Minor | 1 | 5A | 70 BPM | ||
Concerto for Mandolin No. 2 in A Minor, Op. 144: I. Maestoso | Raffaele Calace, Julien Martineau, Rinaldo Alessandrini, Concerto Italiano | A Minor | 2 | 8A | 148 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem) | Hildegard von Bingen, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | C Major | 0 | 8B | 68 BPM | ||
Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony" | Alfred Schnittke, Daniel Hope, Alexey Botvinov | F Minor | 1 | 4A | 86 BPM | ||
Les baricades mystérieuses - Arranged By Göran Söllscher | François Couperin, Göran Söllscher | B♭ Major | 1 | 6B | 138 BPM | ||
Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse) | Philippe Jaroussky | E Major | 1 | 12B | 75 BPM | ||
5. Asturias (Leyenda) | Isaac Albéniz, Xavier De Maistre | C Minor | 0 | 5A | 100 BPM |
Section: 0.6769654750823975
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