"Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony"" by Alfred Schnittke, Daniel Hope, Alexey Botvinov was released on February 5, 2021. The duration of Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony" is about 3 minutes long, at 3:00. Based on our data, "Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Schnittke: Works for Violin and Piano". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tango (Arr. by Andriy Rakhmanin for Violin and Piano) - From "Agony" by Alfred Schnittke, Daniel Hope, Alexey Botvinov having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon And Gigue In D Major, P 37: 2. Gigue | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Major | 2 | 11B | 61 BPM | ||
The Messenger (For Piano Solo) | Valentin Silvestrov, Hélène Grimaud | C Major | 0 | 8B | 68 BPM | ||
Concerto grosso No. 1 (version for flute, oboe, harpsichord, prepared piano and strings): V. Rondo | Alfred Schnittke, Sharon Bezaly, Christopher Cowie, Cape Town Philharmonic Orchestra, Owain Arwel Hughes | B♭ Major | 1 | 6B | 123 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
Berlin By Overnight | Max Richter, Daniel Hope, Jochen Carls | A Minor | 2 | 8A | 96 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM |
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