"Un secret" by Sandrine Piau had its release date on October 28, 2022. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Un secret only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Based on our statistics, Un secret's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Un secret by Sandrine Piau having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
La fida ninfa, RV 714, Act III, Scene 3: Recitativo (Oralto, Licori) | Antonio Vivaldi, Sandrine Piau, Jean-Christophe Spinosi, Ensemble Matheus, Philippe Jaroussky | G Minor | 2 | 6A | 86 BPM | ||
Was Gott tut, das ist wohlgetan III BWV 100: Chorale - Versus 1: Was Gott tut, das ist wohlgetan, es bleibt grerecht sein Wille | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam | A♭ Major | 1 | 4B | 172 BPM | ||
La fida ninfa, RV 714, Act I, Scene 12: Segli è ver, che la sua rota (Trio Narete, Licori, Elpina) | Antonio Vivaldi, Sandrine Piau, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Ensemble Matheus, Topi Lehtipuu | B♭ Major | 5 | 6B | 115 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Ariettes Oubliées: IV. Paysages Belges (Chevaux de bois) | Claude Debussy, Sandrine Piau, Jos Van Immerseel | E Major | 1 | 12B | 81 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Les Indes galantes, Prologue, Scène 1: "Vous qui d'Hébé..." (Hébé) | Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 79 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM |