- BPM
- 84
- Key
- A Minor
- Camelot
- 8A
Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem - Alfonso Ferrabosco I, Peter Phillips, The Tallis Scholars Information
- Acousticness
- 100%
- Danceability
- 17%
- Energy
- 7%
- Instrumentalness
- 3%
- Liveness
- 8%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -26.133 dB
Summary
"Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem" by Alfonso Ferrabosco I, Peter Phillips, The Tallis Scholars was released on August 28, 2015. The duration of Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Perfect Polyphony". In this album, this song's track order is #41. Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem BPM
With Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem by Alfonso Ferrabosco I, Peter Phillips, The Tallis Scholars having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
Ferrabosco the Elder: Lamentations of Jeremiah 1 - 4. Jerusalem Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] by Niccolò Paganini, Mauro Bonelli](https://i.scdn.co/image/ab67616d00001e0248f84ad8a667acf25c5eee24) | Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | |
 | Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | |
 | Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Bransle Loraine, TMA18 | Michael Praetorius, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 93 BPM | |
 | Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | |
 | Lamentations | Antoine Brumel, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | |
 | Sixiesme Branle de Bourgogne (Le Roy) | Edward Martin | F Major | 0 | 7B | 136 BPM | |
 | Der Ander Theyl Des Lautenbuchs, 1536: Preambel 1 | Hans Neusidler, Joachim Held | G Minor | 1 | 6A | 101 BPM | |
 | Di sei bassi | Alfonso Ferrabosco I, The Rose Consort Of Viols | A♭ Major | 1 | 4B | 71 BPM | |
 | Fantasia No. 15 | Francesco da Milano, Jakob Lindberg | F Major | 1 | 7B | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.544611930847168
End: 0.5489273071289062