"Also sprach Zarathustra, Op.30: Von den Freuden und Leidenschaften" by Richard Strauss, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. The duration of Also sprach Zarathustra, Op.30: Von den Freuden und Leidenschaften is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Also sprach Zarathustra, Op.30: Von den Freuden und Leidenschaften's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss, R.: Also sprach Zarathustra; Don Juan". In this album, this song's track order is #4. In terms of popularity, Also sprach Zarathustra, Op.30: Von den Freuden und Leidenschaften is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30: Von den Freuden und Leidenschaften by Richard Strauss, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
5 Lieder, Op. 39, TrV 189: No. 4. Befreit | Richard Strauss, Hedwig Fassbender, Hilko Dumno | E Minor | 2 | 9A | 72 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 87 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |
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