"Leclair: Scylla et Glaucus, Op. 11, Act 3: "Tout fuit, tout disparait" (Circé)" by Jean-Marie Leclair, John Eliot Gardiner, Rachel Yakar, English Baroque Soloists was released on February 24, 2023. With Leclair: Scylla et Glaucus, Op. 11, Act 3: "Tout fuit, tout disparait" (Circé) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Marie Leclair, Donna Brown, Howard Crook, English Baroque Soloists, John Eliot Gardiner's "Leclair: Scylla et Glaucus, Op. 11" album is number 68 out of 98. On top of that, France appears to be the country where this track was created. Leclair: Scylla et Glaucus, Op. 11, Act 3: "Tout fuit, tout disparait" (Circé) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leclair: Scylla et Glaucus, Op. 11, Act 3: "Tout fuit, tout disparait" (Circé) by Jean-Marie Leclair, John Eliot Gardiner, Rachel Yakar, English Baroque Soloists to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 2 | 8B | 124 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": I. Allegro non molto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | D♭ Minor | 1 | 12A | 99 BPM | ||
Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
Il prigioniero fortunato: Sinfonia: I. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 5 | 3B | 111 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto 1 in D Minor, Op. 7: II. Aria gratioso | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 1 | 12A | 107 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM |
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