Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio
Munich Philharmonic Orchestra, Wilhem Hertz
Vivaldi: Las cuatro estaciones
2:09 June 13, 1970
BPM
84
Key
G Minor
Camelot
6A

Embed

Share Link

Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio - Munich Philharmonic Orchestra, Wilhem Hertz Information

Acousticness
96%
Danceability
19%
Energy
22%
Instrumentalness
70%
Liveness
45%
Loudness
68%
Speechiness
4%
Valence
4%
Popularity
Loudness
-18.965 dB

Summary

"Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio" by Munich Philharmonic Orchestra, Wilhem Hertz was released on June 13, 1970. The duration of Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Las cuatro estaciones by Münchner Symphoniker, Wilhem Hertz. The song's track number on the album is #5 out of 12 tracks. Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio BPM

Since Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio by Munich Philharmonic Orchestra, Wilhem Hertz has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.

Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Roman Carnival Overture, Op. 9, H. 95 by Hector Berlioz, Charles MünchRoman Carnival Overture, Op. 9, H. 95Hector Berlioz, Charles MünchA Major311B90 BPM
Te Deum: Te ergo quaesumus by Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf ZöbeleyTe Deum: Te ergo quaesumusGeorges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf ZöbeleyD Major110B108 BPM
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto by Dmitri Shostakovich, Valery Gergiev, Munich Philharmonic OrchestraShostakovich: Symphony No. 9 in E-Flat Major, Op. 70: V. AllegrettoDmitri Shostakovich, Valery Gergiev, Munich Philharmonic OrchestraB♭ Minor23A130 BPM
Fauré: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Margaret Price, Sergiu Celibidache, Munich Philharmonic OrchestraFauré: Requiem, Op. 48: IV. Pie JesuGabriel Fauré, Margaret Price, Sergiu Celibidache, Munich Philharmonic OrchestraF Major17B66 BPM
Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio by Franz Schubert, Munich Philharmonic Orchestra, Kevin John EduseiSymphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brioFranz Schubert, Munich Philharmonic Orchestra, Kevin John EduseiB♭ Major16B123 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italianaed by Ottorino Respighi, Munich Radio Orchestra, Henry RaudalesAntiche danze ed arie per liuto, Suite No. 3, P. 172: I. ItalianaedOttorino Respighi, Munich Radio Orchestra, Henry RaudalesG Minor06A95 BPM
3 Gymnopedies: III. Lent et Grave by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden3 Gymnopedies: III. Lent et GraveErik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent GardenA Minor08A73 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons by Alexander Borodin, Anima Eterna, Jos Van ImmerseelLes danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçonsAlexander Borodin, Anima Eterna, Jos Van ImmerseelD Major210B104 BPM
Dvorák: Symphony No. 9 in E Minor, Op. 95, B. 178 'From the New World': III. Molto vivace - Poco sostenuto by Antonín Dvořák, Sergiu Celibidache, Munich Philharmonic OrchestraDvorák: Symphony No. 9 in E Minor, Op. 95, B. 178 'From the New World': III. Molto vivace - Poco sostenutoAntonín Dvořák, Sergiu Celibidache, Munich Philharmonic OrchestraC Major18B117 BPM
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo by Richard Strauss, Munich Philharmonic Orchestra, Zubin MehtaR. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. ScherzoRichard Strauss, Munich Philharmonic Orchestra, Zubin MehtaD Major110B86 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1650786399841309

End: 1.1688439846038818