"Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio" by Munich Philharmonic Orchestra, Wilhem Hertz was released on June 13, 1970. The duration of Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Las cuatro estaciones by Münchner Symphoniker, Wilhem Hertz. The song's track number on the album is #5 out of 12 tracks. Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio by Munich Philharmonic Orchestra, Wilhem Hertz has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Te Deum: Te ergo quaesumus | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | D Major | 1 | 10B | 108 BPM | ||
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto | Dmitri Shostakovich, Valery Gergiev, Munich Philharmonic Orchestra | B♭ Minor | 2 | 3A | 130 BPM | ||
Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Margaret Price, Sergiu Celibidache, Munich Philharmonic Orchestra | F Major | 1 | 7B | 66 BPM | ||
Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Munich Philharmonic Orchestra, Kevin John Edusei | B♭ Major | 1 | 6B | 123 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italianaed | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | G Minor | 0 | 6A | 95 BPM | ||
3 Gymnopedies: III. Lent et Grave | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A Minor | 0 | 8A | 73 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Dvorák: Symphony No. 9 in E Minor, Op. 95, B. 178 'From the New World': III. Molto vivace - Poco sostenuto | Antonín Dvořák, Sergiu Celibidache, Munich Philharmonic Orchestra | C Major | 1 | 8B | 117 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM |
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