Marin Marais, Tomislav Lavoie, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's ' "Ariane et Bacchus, Act I: Prélude et récit. Ô ciel ! Ai-je bien entendu ?" was released on its scheduled release date, March 17, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 36 out of 104. On top of that, France appears to be the country where this track was created. Based on our statistics, Ariane et Bacchus, Act I: Prélude et récit. Ô ciel ! Ai-je bien entendu ?'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ariane et Bacchus, Act I: Prélude et récit. Ô ciel ! Ai-je bien entendu ? by Marin Marais, Tomislav Lavoie, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sauvages (Pièces de clavecin, 1728 - Les Indes Galantes) | Jean-Philippe Rameau, Pierre Hantaï, Skip Sempé | A Minor | 1 | 8A | 116 BPM | ||
Quatrième livre: La de Drummond | Jacques Duphly, Christophe Rousset | A♭ Minor | 4 | 1A | 117 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Folias | Francesco Corbetta, Gaspar Sanz, Jordi Savall, Hespèrion XXI | C Major | 1 | 8B | 98 BPM | ||
Diferencias Sobre el Canto de "La Dama le Demanda" | Antonio de Cabezón, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 1 | 2A | 152 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Ballet des fous et des estropiés de la cervelle: III. Entrée des Fantasques | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 112 BPM |