"A la fontaine - diminutions by Gawain Glenton, after Silvestro Ganassi" by Adrian Willaert, Gawain Glenton, Silas Wollston was released on October 22, 2021. A la fontaine - diminutions by Gawain Glenton, after Silvestro Ganassi is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 20 in the song's album "The Myth of Venice: 16th-Century Music for Cornetto & Keyboards". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, A la fontaine - diminutions by Gawain Glenton, after Silvestro Ganassi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A la fontaine - diminutions by Gawain Glenton, after Silvestro Ganassi by Adrian Willaert, Gawain Glenton, Silas Wollston having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bonjour, et puis, quelles nouvelles ? | Orlande de Lassus, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Igno soave | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 99 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Messe de Nostre Dame: Ite missa est | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 66 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Te Deum patrem | Adrian Willaert, Singer Pur | A Minor | 2 | 8A | 120 BPM |
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