Orlande de Lassus, Amarcord made "Bonjour, et puis, quelles nouvelles ?" available on 2006. With Bonjour, et puis, quelles nouvelles ? being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Bonjour, et puis, quelles nouvelles ? is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Bonjour, et puis, quelles nouvelles ? by Orlande de Lassus, Amarcord having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Lassus: Chansons françaises à quatre voix, Volume 1: No. 8, La nuict froide et sombre | Joachim du Bellay, Orlande de Lassus, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Taedet animam meam | Cristobal de Morales, Egidus Kwartet | C Major | 0 | 8B | 132 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Aus tiefer Not | Heinrich Schütz, Vox Luminis, Lionel Meunier, Haru Kitamika | A Minor | 1 | 8A | 166 BPM | ||
Tenebrae Responsories, Feria quinta: VIII. Una hora | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | G Major | 1 | 9B | 79 BPM |
Section: 0.5845322608947754
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