"Sonata for Violin and Guitar in A Major, Op. 2, No. 1, MS 26: Polonese" by Niccolò Paganini, Scott St. John, Simon Wynberg was released on May 27, 1994. With Sonata for Violin and Guitar in A Major, Op. 2, No. 1, MS 26: Polonese being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Paganini: Music for Violin and Guitar, Vol. 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Sonata for Violin and Guitar in A Major, Op. 2, No. 1, MS 26: Polonese is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Violin and Guitar in A Major, Op. 2, No. 1, MS 26: Polonese by Niccolò Paganini, Scott St. John, Simon Wynberg having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Violin Concerto in A Minor, D115 | Giuseppe Tartini, Gordan Nikolitch, Arie Van Beek, Orchestre d'Auvergne | A Minor | 1 | 8A | 140 BPM | ||
Brahms / Arr Joachim: 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Itzhak Perlman | G Minor | 1 | 6A | 70 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 91 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double | Johann Sebastian Bach, Thomas Zehetmair | B Minor | 0 | 10A | 74 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM | ||
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM | ||
Menuet In G Major | Simon Wynberg, Hamae Nakajima | G Major | 0 | 9B | 120 BPM |
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