Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double
Johann Sebastian Bach, Thomas Zehetmair
Bach: Partitas and Sonatas for Solo Violin, BWV 1001 - 1006
5:41 January 1, 1983
BPM
74
Key
B Minor
Camelot
10A

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Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double - Johann Sebastian Bach, Thomas Zehetmair Information

Acousticness
99%
Danceability
32%
Energy
3%
Instrumentalness
15%
Liveness
17%
Loudness
70%
Speechiness
6%
Valence
51%
Popularity
Loudness
-18.205 dB

Summary

Johann Sebastian Bach, Thomas Zehetmair made "Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double" available on January 1, 1983. Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 3 out of 27 in Bach: Partitas and Sonatas for Solo Violin, BWV 1001 - 1006 by Johann Sebastian Bach, Thomas Zehetmair. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double BPM

The tempo marking of Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double by Johann Sebastian Bach, Thomas Zehetmair is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Partita for Solo Violin No. 1 in B Minor, BWV 1002: III. Sarabande & Double Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

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ISRC
DEA808207503
Label
L-M Records/RCA Records

Section: 0.13641667366027832

End: 0.1408977508544922