Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana made "Musical Offering, BWV 1079: Fuga canonica in Epidiapente" available on April 15, 1998. With Musical Offering, BWV 1079: Fuga canonica in Epidiapente being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 19 in Bach, J.S.: Musical Offering, Bwv 1079 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Musical Offering, BWV 1079: Fuga canonica in Epidiapente is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Musical Offering, BWV 1079: Fuga canonica in Epidiapente by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. Ach Gott, Vom Himmel Sieh Darein BWV 2, (3) Aria (Alto): Tilg, O Gott, Die Lehren | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton, Pieter Jan Leusink | A Major | 0 | 11B | 130 BPM | ||
Clarinet Sonata: I. quarter note = 112 | Daniel Schnyder, Francois Benda, Sebastian Benda | F♯ Minor | 1 | 11A | 129 BPM | ||
Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 174 BPM | ||
Guitare, quatre pièces brèves pour piano : i. Prélude, lent - vite | Frank Martin, Sebastian Benda | D♭ Minor | 1 | 12A | 130 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Concerto for 3 Violins, Strings & B.C. In D Major, BWV 1064: II. Adagio | Johann Sebastian Bach, Amsterdam Bach Soloists, Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock | B Minor | 3 | 10A | 94 BPM | ||
Musical Offering, BWV 1079: Canon perpetuus super Thema Regium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Major | 1 | 8B | 151 BPM | ||
Ciclo brasileiro: No. 2. Impressoes Seresteiras | Heitor Villa-Lobos, Sebastian Benda | D♭ Minor | 1 | 12A | 130 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Clarinet Sonatina in B-Flat Major: III. Con brio | Joseph Horovitz, Francois Benda, Sebastian Benda | D Major | 0 | 10B | 110 BPM |
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