Musical Offering, BWV 1079: Fuga canonica in Epidiapente
Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana
Bach, J.S.: Musical Offering, Bwv 1079
1:58 April 15, 1998
BPM
172
Key
C Minor
Camelot
5A

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Musical Offering, BWV 1079: Fuga canonica in Epidiapente - Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana Information

Acousticness
98%
Danceability
42%
Energy
21%
Instrumentalness
92%
Liveness
12%
Loudness
69%
Speechiness
5%
Valence
65%
Popularity
Loudness
-18.821 dB

Summary

Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana made "Musical Offering, BWV 1079: Fuga canonica in Epidiapente" available on April 15, 1998. With Musical Offering, BWV 1079: Fuga canonica in Epidiapente being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 19 in Bach, J.S.: Musical Offering, Bwv 1079 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Musical Offering, BWV 1079: Fuga canonica in Epidiapente is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Musical Offering, BWV 1079: Fuga canonica in Epidiapente BPM

The tempo marking of Musical Offering, BWV 1079: Fuga canonica in Epidiapente by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Musical Offering, BWV 1079: Fuga canonica in Epidiapente Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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ISRC
HKI199629912
Label
L-M Records/RCA Records

Section: 0.7546133995056152

End: 0.7588603496551514