"Dhyana" by John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton was released on January 1, 2007. Dhyana is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. This song is part of Vaughan-Williams and Tavener by John Tavener, Nicola Benedetti. The song's track number on the album is #3 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Dhyana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dhyana by John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dhyana being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) | Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 134 BPM | ||
Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | G Major | 1 | 9B | 92 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Tantum ergo | Déodat de Séverac, Oxford Schola Cantorum, Jeremy Summerly | A Minor | 0 | 8A | 76 BPM | ||
Preces and Responses (Arr. Isserlis for 8 Cellos) | John Tavener, Amy Norrington, Vashti Hunter, Steven Isserlis, Matthew Huber, David Waterman, Chiara Enderle, Caroline Dearnley, Bartholomew LaFollette | A Minor | 0 | 8A | 70 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Symphony No. 3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Helena Wanda Błażusiakówna, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa | B♭ Minor | 0 | 3A | 90 BPM | ||
Ciaccona (I) | L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 101 BPM | ||
O salutaris hostia | Ēriks Ešenvalds, South Dakota Chorale, Brian A. Schmidt | D Major | 1 | 10B | 65 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM |
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