Friedrich Schorr, New Symphony Orchestra's 'Es ist genug! (Elias)' came out on September 4, 2006. With this song being about 5 minutes long, at 4:46, "Es ist genug! (Elias)" by Friedrich Schorr, New Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr (Vol. 2)" album is number 5 out of 18. In terms of popularity, Es ist genug! (Elias) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Es ist genug! (Elias) by Friedrich Schorr, New Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Il barbiere di Siviglia / Act 1: Questa bestia di soldato | Gioachino Rossini, Fernando Corena, Manuel Ausensi, Stefania Malagu, Nicolai Ghiaurov, Ugo Benelli, Teresa Berganza, Dino Mantovani, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 4 | 8B | 120 BPM | ||
La Bohème: O soave fanciulla | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti, Alberta Pellegrini | E♭ Major | 3 | 5B | 96 BPM | ||
Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Coro del Gran Teatro del Liceo de Barcelona | A Major | 3 | 11B | 71 BPM | ||
Manon, Act III: Je marche sur tous les chemins | Ava Dodd, Jules Massenet, RTÉ Concert Orchestra, Andrew Synnott | G Major | 1 | 9B | 84 BPM | ||
Puccini: Tosca, Act 1: "Ora stammi a sentir" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | A♭ Major | 0 | 4B | 108 BPM | ||
Die Meistersinger von Nürnberg: Das schöne Fest, Johannistag, | Richard Wagner, Orchestra and Chorus of the Metropolitan Opera House, Nicholas Massue, Ludovico Oliviero, Giovanni Paltrinieri, James Wolfe, John Gurney, Chorus, Erich Leinsdorf, Emanuel List, Walter Olitzki, Friedrich Schorr, Max Altglass, Louis d'Angelo, Herbert Janssen, George Chehanovsky | D♭ Major | 4 | 3B | 116 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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