Joseph Boulogne Chevalier de Saint-Georges, Orchestre de chambre Bernard Thomas, Jean-Jacques Kantorow made "Concerto pour violon No. 1 en do majeur, Op. 5: Allegro" available on 1974. Since Concerto pour violon No. 1 en do majeur, Op. 5: Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Boulogne Chevalier de Saint-Georges, Orchestre de chambre Bernard Thomas, Jean-Jacques Kantorow's "Le chevalier de Saint-Georges : Concertos pour violon" album is number 7 out of 12. Concerto pour violon No. 1 en do majeur, Op. 5: Allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto pour violon No. 1 en do majeur, Op. 5: Allegro by Joseph Boulogne Chevalier de Saint-Georges, Orchestre de chambre Bernard Thomas, Jean-Jacques Kantorow to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: I. [Allegro moderato] | Johann Sebastian Bach, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: II. Andante | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | C Major | 1 | 8B | 80 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
L'Amant anonyme, Act II Scene 1: Duo. Ah! Finissez de grâce | Joseph Boulogne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter, Nicole Cabell, David Govertsen | F Minor | 0 | 4A | 94 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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