Bruce Adolphe, Itzhak Perlman, Michele Mariana, The Chamber Music Society Of Lincoln Center, Ariella Perlman's 'Marita and Her Heart's Desire: Marita Meets a Great Gray Cat' came out on November 1, 1998. The duration of Marita and Her Heart's Desire: Marita Meets a Great Gray Cat is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Marita and Her Heart's Desire: Marita Meets a Great Gray Cat's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman, The Chamber Music Society Of Lincoln Center, Bruce Adolphe, Royal Philharmonic Orchestra, André Previn, Michele Mariana's "Marita and Her Heart's Desire" album is number 3 out of 37. On top of that, United States appears to be the country where this track was created. Marita and Her Heart's Desire: Marita Meets a Great Gray Cat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marita and Her Heart's Desire: Marita Meets a Great Gray Cat by Bruce Adolphe, Itzhak Perlman, Michele Mariana, The Chamber Music Society Of Lincoln Center, Ariella Perlman to be Lento (slowly) because the track has a tempo of 50 BPM, a half-time of 25BPM, and a double-time of 100 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Orbit | Matt Haimovitz | C Minor | 1 | 5A | 137 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Triskelion: Allegro | Bruce Adolphe, American Brass Quintet | D♭ Minor | 1 | 12A | 148 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Joanne Polk | E♭ Minor | 0 | 2A | 65 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 69 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM |
Section: 0.7426853179931641
End: 0.7461676597595215