George Gershwin, Jascha Heifetz made "3 Preludes: II. Andante con moto e poco rubato" available on 1965. The duration of 3 Preludes: II. Andante con moto e poco rubato is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 3 Preludes: II. Andante con moto e poco rubato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz's "Gershwin: Selections, Music of France" album is number 2 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, 3 Preludes: II. Andante con moto e poco rubato is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 3 Preludes: II. Andante con moto e poco rubato by George Gershwin, Jascha Heifetz to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonietta: II. Andante - Allegretto (The Castle, Brno) - Live | Leoš Janáček, Leon Botstein, American Symphony Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Wedding Day at Troldhaugen | Edvard Grieg, Joseph Cooper | E Major | 1 | 12B | 78 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 114 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Song Book: I Got Rhythm. Very marked | George Gershwin, Frank Braley | D♭ Major | 2 | 3B | 102 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
George Gershwin's Song-Book: No. 8. The Man I Love | George Gershwin, Maurizio Zaccaria | E♭ Major | 0 | 5B | 68 BPM |
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