"Mozart: Requiem in D Minor, K. 626: X. Hostias" by Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien was released on 1982. The duration of Mozart: Requiem in D Minor, K. 626: X. Hostias is about 3 minutes long, at 3:06. Based on our data, "Mozart: Requiem in D Minor, K. 626: X. Hostias" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 10 out of 14. In terms of popularity, Mozart: Requiem in D Minor, K. 626: X. Hostias is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: X. Hostias by Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Violinkonzert e-Moll, Op. 64, MWV O14: Violin Concerto in E Minor, Op. 64: II. Andante - Allegro non troppo | Felix Mendelssohn, Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | E♭ Minor | 0 | 2A | 79 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: I . Grave | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | A♭ Minor | 1 | 1A | 118 BPM | ||
Tannhauser, Act III: Wie Todesahnung Dammerung deckt die Lande - O du mein holder Abendstern | Richard Wagner, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | G Major | 0 | 9B | 72 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria | George Frideric Handel, Lynne Dawson, Lautten Compagney | E♭ Major | 1 | 5B | 96 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 0 | 5A | 69 BPM |
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