"Violinkonzert e-Moll, Op. 64, MWV O14: Violin Concerto in E Minor, Op. 64: II. Andante - Allegro non troppo" by Felix Mendelssohn, Takako Nishizaki, Slovak Philharmonic, Kenneth Jean was released on August 2, 1993. Since Violinkonzert e-Moll, Op. 64, MWV O14: Violin Concerto in E Minor, Op. 64: II. Andante - Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn's "Mendelssohn: The Best of Mendelssohn" album is number 9 out of 10. On top of that, Hong Kong appears to be the country where this track was created. Violinkonzert e-Moll, Op. 64, MWV O14: Violin Concerto in E Minor, Op. 64: II. Andante - Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violinkonzert e-Moll, Op. 64, MWV O14: Violin Concerto in E Minor, Op. 64: II. Andante - Allegro non troppo by Felix Mendelssohn, Takako Nishizaki, Slovak Philharmonic, Kenneth Jean to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
Violin Concerto No. 5, Op. 22 (arr. for violin and piano): I. Allegro moderato | Anonymous, Friedrich Seitz, Takako Nishizaki, Terence Dennis | A Major | 2 | 11B | 62 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Nocturne in B Major, Op. 32, No. 1 | Frédéric Chopin, Alicia de Larrocha | E♭ Major | 0 | 5B | 73 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM |
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