Amilcare Ponchielli, Metropolitan Opera Orchestra, Ettore Panizza, Giovanni Martinelli, Zinka Milanov, Bruna Castagna, Metropolitan Opera Chorus's 'La Gioconda, Op.9, IAP 6, Act IV: "Gioconda! - Enzo!... sei tu!" (Enzo, Gioconda, Laura, Coro)' came out on June 1, 2000. Since La Gioconda, Op.9, IAP 6, Act IV: "Gioconda! - Enzo!... sei tu!" (Enzo, Gioconda, Laura, Coro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 35 in the song's album "PONCHIELLI: LA GIOCONDA". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. Based on our statistics, La Gioconda, Op.9, IAP 6, Act IV: "Gioconda! - Enzo!... sei tu!" (Enzo, Gioconda, Laura, Coro)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Gioconda, Op.9, IAP 6, Act IV: "Gioconda! - Enzo!... sei tu!" (Enzo, Gioconda, Laura, Coro) by Amilcare Ponchielli, Metropolitan Opera Orchestra, Ettore Panizza, Giovanni Martinelli, Zinka Milanov, Bruna Castagna, Metropolitan Opera Chorus having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 4 | 8B | 148 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM |
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