- BPM
- 98
- Key
- G Major
- Camelot
- 9B
Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020 - Johann Sebastian Bach, Lang Lang Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 35%
- Instrumentalness
- 89%
- Liveness
- 19%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 71%
- Popularity
- 26%
- Loudness
- -14.751 dB
Summary
Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. With Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020 being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020 BPM
The tempo marking of Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. - Live at Thomaskirche Leipzig / 2020 Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" | Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir | D Major | 0 | 10B | 60 BPM | |
 | 12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | |
 | St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 74 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | |
 | Württemberg Sonatas / Sonata No. 3 in E Minor, H. 33: III. Vivace | Carl Philipp Emanuel Bach, Keith Jarrett | D♭ Major | 0 | 3B | 201 BPM | |
 | La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | |
 | 6 Etudes, Op. 111: IIIb. Fugue. Moderato espressivo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | |
 | The Well-Tempered Clavier, Book 1 I. Prelude and Fugue in C Major, BWV 846 | Johann Sebastian Bach, Emmy Taylor | C Major | 1 | 8B | 131 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8449699878692627
End: 0.8485615253448486