Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland's 'Wexford Bells - Suite on old Irish tunes (1970): Christmas Jig' came out on January 1, 2007. With Wexford Bells - Suite on old Irish tunes (1970): Christmas Jig being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #14. Wexford Bells - Suite on old Irish tunes (1970): Christmas Jig is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Wexford Bells - Suite on old Irish tunes (1970): Christmas Jig by Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Die tote Stadt - Arr. Franz Willms: Tanzlied des Pierrot | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM | ||
Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
Music for Movies: 4. Grovers Corners | Aaron Copland, London Sinfonietta, Elgar Howarth | G Major | 0 | 9B | 47 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Symphony No. 2 in G Minor, "Song of a New Race": II. Slowly and deeply expressive | William Grant Still, Fort Smith Symphony, John Jeter | G Major | 0 | 9B | 69 BPM | ||
Tu mancavi a tormentarmi, crudelissima speranza (arr. L. Stokowski) | Antonio Cesti, Leopold Stokowski, Brussels Philharmonic, Richard Egarr | C Minor | 0 | 5A | 78 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM |
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