"Two English Idylls" by George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1997. Since Two English Idylls is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 28 in Fantasia on Greensleeves by Academy of St. Martin in the Fields, Sir Neville Marriner, Edward Elgar, Frederick Delius, George Butterworth, Peter Warlock, Ralph Vaughan Williams. Two English Idylls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two English Idylls by George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Verdi: Aida, Act 1: "Celeste Aida" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Christopher Warren-Green, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 96 BPM | ||
Masques et Bergamasques, suite, Op.112: 4. Pastorale | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 72 BPM | ||
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 126 BPM | ||
Pulcinella - Ballet avec chante: Overture - 2001 Digital Remaster | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Yvonne Kenny, Robert Tear, Robert Lloyd | G Major | 0 | 9B | 177 BPM | ||
Octet In E Flat, Op.20, MWV R20: 3. Scherzo (Allegro leggierissimo) | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | G Major | 1 | 9B | 147 BPM | ||
Octet In E Flat, Op.20, MWV R20: 1. Allegro moderato, ma con fuoco | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | E♭ Major | 1 | 5B | 133 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" (Instrumental Version) | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 131 BPM |
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