- BPM
- 78
- Key
- A Minor
- Camelot
- 8A
Saint-Saëns: Le Carnaval des animaux: VII. Aquarium - Camille Saint-Saëns, Scottish National Orchestra/Peter Katin/Philip Fowke/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra Information
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 6%
- Instrumentalness
- 90%
- Liveness
- 31%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 4%
- Loudness
- -27.733 dB
Summary
"Saint-Saëns: Le Carnaval des animaux: VII. Aquarium" by Camille Saint-Saëns, Scottish National Orchestra/Peter Katin/Philip Fowke/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra was released on 1993. The duration of Saint-Saëns: Le Carnaval des animaux: VII. Aquarium is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Saint-Saëns: Le Carnaval des animaux: VII. Aquarium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 33 in Classic Experience IV by Various Artists. Saint-Saëns: Le Carnaval des animaux: VII. Aquarium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Saint-Saëns: Le Carnaval des animaux: VII. Aquarium BPM
The tempo marking of Saint-Saëns: Le Carnaval des animaux: VII. Aquarium by Camille Saint-Saëns, Scottish National Orchestra/Peter Katin/Philip Fowke/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Saint-Saëns: Le Carnaval des animaux: VII. Aquarium Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | |
 | Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | |
 | Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 137 BPM | |
 | Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | |
 | Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | |
 | Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | |
 | Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | F♯ Minor | 0 | 11A | 104 BPM | |
 | Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6220688819885254
End: 0.6273174285888672