"Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Kyrie" by Chamber Choir Of Europe, Eibe Möhlmann, Reinhard Geller, Christof Fischesser, Daniel Sans, Anton Bruckner, Württembergische Philharmonie Reutlingen, Isabelle Müller-Kant, Nicol Matt was released on December 20, 2006. Since Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Chamber Choir Of Europe's "Mass In D Minor" album is number 1 out of 6. Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Kyrie by Chamber Choir Of Europe, Eibe Möhlmann, Reinhard Geller, Christof Fischesser, Daniel Sans, Anton Bruckner, Württembergische Philharmonie Reutlingen, Isabelle Müller-Kant, Nicol Matt to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Divi Xaverii, ZWV 12: Kyrie eleison I | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Major | 1 | 4B | 93 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
Magnificat in D Major, BWV 243: X. Suscepit Israel | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Great Mass in C Minor, K. 427: XI. Et incarnatus est | Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Camerata Würzburg, Jens Wollenschläger, Valentina Farcas | F Major | 0 | 7B | 89 BPM | ||
Daran ist erschienen die Liebe Gottes, TWV 1:165: Chorus: Du heiliges Licht, edler Hort | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | F♯ Major | 1 | 2B | 113 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM | ||
Lux aeterna: 4. Veni, sancte spiritus | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | A Major | 1 | 11B | 69 BPM |
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