"Concerto for Flute, Strings and Basso continuo in E Minor, L2.4: II. Adagio un poco andante" by Franz Benda, Jean-Pierre Rampal, Jean-Pierre Wallez, Orchestre de chambre de Paris was released on 1986. Since Concerto for Flute, Strings and Basso continuo in E Minor, L2.4: II. Adagio un poco andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Flute at the Court of Frederick the Great". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Concerto for Flute, Strings and Basso continuo in E Minor, L2.4: II. Adagio un poco andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Flute, Strings and Basso continuo in E Minor, L2.4: II. Adagio un poco andante by Franz Benda, Jean-Pierre Rampal, Jean-Pierre Wallez, Orchestre de chambre de Paris having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in F Major, W. VII:3, B. 12: I. Allegro | Johann Christoph Friedrich Bach, London Baroque | A Major | 1 | 11B | 98 BPM | ||
Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 138 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Violin Sonata in E-Flat Major: II. Adagio moderato | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 56 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Sonata XXVII for violin and basso in G Major, L3.86: VII. 07 III. Scherzando | Franz Benda, Evgeny Sviridov, Ludus Instrumentalis, Stanislav Gres, Alexander Scherf, Liza Solovey | A♭ Minor | 1 | 1A | 91 BPM | ||
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai | Carl Philipp Emanuel Bach, London Baroque, Richard Egarr | F Major | 0 | 7B | 141 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Abdelazar Suite, Z. 570: V. Minuet | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |
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