Pierre Boulez, West-Eastern Divan Orchestra's 'Le Marteau sans Maître: Avant l'artisanat furieux. Rapide' came out on March 3, 2017. With Le Marteau sans Maître: Avant l'artisanat furieux. Rapide being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pierre Boulez, West-Eastern Divan Orchestra, Daniel Barenboim's "Hommage à Boulez" album is number 16 out of 37. In terms of popularity, Le Marteau sans Maître: Avant l'artisanat furieux. Rapide is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Marteau sans Maître: Avant l'artisanat furieux. Rapide by Pierre Boulez, West-Eastern Divan Orchestra to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrouchka / Tableau II: Chez Pétrouchka | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | E Minor | 1 | 9A | 172 BPM | ||
Répons: Section 6 | Pierre Boulez, Ensemble Intercontemporain, Andrew Gerzso | F Minor | 6 | 4A | 131 BPM | ||
Notations I-IV, VII: I. Modéré. Fantasque | Pierre Boulez, Seattle Symphony Orchestra, Ludovic Morlot | C Minor | 1 | 5A | 120 BPM | ||
Structures, Book 1: Piece No. 2 | Pierre Boulez, Yvonne Loriod | D♭ Major | 0 | 3B | 107 BPM | ||
Horn Trio in E-Flat Major, Op. 40: I. Andante (Poco più animato) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Major | 1 | 5B | 92 BPM | ||
Concerto, Op. 24: I. Etwas lebhaft | Anton Webern, Pierre Boulez, London Symphony Orchestra | E♭ Major | 0 | 5B | 58 BPM | ||
Essay For Orchestra No. 1, Op. 12 | Samuel Barber, St. Louis Symphony, Leonard Slatkin | E Major | 2 | 12B | 179 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM |
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