"Notations I-IV, VII: I. Modéré. Fantasque" by Pierre Boulez, Seattle Symphony Orchestra, Ludovic Morlot was released on July 20, 2018. The duration of Notations I-IV, VII: I. Modéré. Fantasque is about 3 minutes long, at 3:09. Based on our data, "Notations I-IV, VII: I. Modéré. Fantasque" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 10 in Berio: Sinfonia - Boulez: Notations I-IV - Ravel: La valse, M. 72 by Seattle Symphony Orchestra, Ludovic Morlot, Roomful of Teeth. Based on our statistics, Notations I-IV, VII: I. Modéré. Fantasque's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Notations I-IV, VII: I. Modéré. Fantasque by Pierre Boulez, Seattle Symphony Orchestra, Ludovic Morlot is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
Music for the Royal Fireworks (Excerpts): 1. Ouverture | George Frideric Handel, New York Philharmonic, Pierre Boulez | D Major | 4 | 10B | 130 BPM | ||
Chronochromie for Large Orchestra: VI. Epode | Olivier Messiaen, Cleveland Orchestra, Pierre Boulez | C Major | 1 | 8B | 88 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Also sprach Zarathustra, Op.30: Von den Freuden und Leidenschaften | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | F Minor | 4 | 4A | 118 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Das Klagende Lied / Pt. 1: Ach Spielmann, lieber Spielmann mein! - Live From Festspielhaus, Salzburg / 2011 | Gustav Mahler, Anna Larsson, Johan Botha, Wiener Philharmoniker, Pierre Boulez, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 75 BPM |
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