"4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante" by Franz Schubert, Mitsuko Uchida was released on January 1, 1997. 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Schubert: Impromptus Opp.90 & 142". In this album, this song's track order is #3. 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante by Franz Schubert, Mitsuko Uchida having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | ||
Deux Arabesques, L. 66: No. 1 Andante con moto | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 129 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Drei Intermezzi, Op. 117: III. Andante con moto | Johannes Brahms, Arcadi Volodos | D♭ Minor | 0 | 12A | 58 BPM |
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