"Violin Concerto, Op. 30: Ih. Coda. Maestoso" by Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada was released on October 7, 2022. With Violin Concerto, Op. 30: Ih. Coda. Maestoso being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 19 in Eclipse by Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada, Alberto Ginastera, Antonín Dvořák, Pablo de Sarasate. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto, Op. 30: Ih. Coda. Maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op. 30: Ih. Coda. Maestoso by Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation IV | Franz Schubert, Quatuor Arod | D Major | 3 | 10B | 57 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 4 in E Minor: III. Finale | Eugène Ysaÿe, Hilary Hahn | G Major | 2 | 9B | 120 BPM | ||
Oboe Concerto, H. 353: III. Poco allegro | Bohuslav Martinů, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss Jansons | D Minor | 2 | 7A | 109 BPM | ||
Don Quixote, Op. 35: The Battle with the Sheep: Variation II | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | A Major | 2 | 11B | 126 BPM | ||
Cello Concerto: II. Allegro appassionato | William Walton, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 140 BPM | ||
Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Olli Mustonen, Joshua Bell, Steven Isserlis | E Minor | 0 | 9A | 91 BPM | ||
Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": III. Allegro | Charles Ives, Hilary Hahn, Valentina Lisitsa | A♭ Major | 1 | 4B | 119 BPM | ||
Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto | Béla Bartók, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | D♭ Major | 1 | 3B | 80 BPM | ||
Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM |
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