"Appalachian Spring - 1945 Suite: 2. Allegro" by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 1996. The duration of Appalachian Spring - 1945 Suite: 2. Allegro is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Appalachian Spring - 1945 Suite: 2. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Appalachian Spring - 1945 Suite: 2. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring - 1945 Suite: 2. Allegro by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic | F Minor | 1 | 4A | 91 BPM | ||
Mahler: Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 176 BPM | ||
"West Side Story" - Symphonic Dances: I. Prologue - Live | Leonard Bernstein, Los Angeles Philharmonic | F Major | 3 | 7B | 119 BPM | ||
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: II. The Tsarina in a Barrel at Sea | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Minor | 1 | 6A | 171 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
The Tender Land (Opera in Three Acts): Act 3: Fast tempo | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic | F Minor | 1 | 4A | 91 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
La Jolie Fille de Perth (1993 Digital Remaster): Sérénade | Georges Bizet, Orchestre de Paris & Daniel Barenboim, Daniel Barenboim, Brad Smith, Orchestre de Paris | C Major | 3 | 8B | 94 BPM |
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