Heitor Villa-Lobos, Angel Romero/London Philharmonic Orchestra/Jésus López-Cobos, Jesús López-Cobos, LPO, London Philharmonic Orchestra made "Concerto for guitar & small orchestra: Second movement: Andantino e andante - Cadnenza" available on May 1, 1998. Since Concerto for guitar & small orchestra: Second movement: Andantino e andante - Cadnenza is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Concertos & Instrumental works by Heitor Villa-Lobos, Cristina Ortiz/Vladimir Ashkenazy/John Harle/Sir Neville Marriner/Angel Romero/Jésus López-Cobos, Jesús López-Cobos, Sir Neville Marriner, Vladimir Ashkenazy. The song's track number on the album is #5 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Concerto for guitar & small orchestra: Second movement: Andantino e andante - Cadnenza's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Concerto for guitar & small orchestra: Second movement: Andantino e andante - Cadnenza by Heitor Villa-Lobos, Angel Romero/London Philharmonic Orchestra/Jésus López-Cobos, Jesús López-Cobos, LPO, London Philharmonic Orchestra has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto for guitar & small orchestra: Second movement: Andantino e andante - Cadnenza being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Rodrigo: Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 2 | 10B | 160 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Canarios | Gaspar Sanz, Thibault Cauvin | D Major | 4 | 10B | 136 BPM | ||
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" | Franz Liszt, Goran Filipec | A♭ Minor | 2 | 1A | 115 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Suite espagnole, Op. 47: VI. Aragón | Isaac Albéniz, Thibault Cauvin | F Major | 2 | 7B | 169 BPM | ||
Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday | Toru Takemitsu, Shin-ichi Fukuda | A Major | 0 | 11B | 94 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM |
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