"Desde Este Apacible Rincón De Madrid" by Luisa Fernanda, Federico Moreno Torroba, Fernández Shaw was released on January 1, 2006. The duration of Desde Este Apacible Rincón De Madrid is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Desde Este Apacible Rincón De Madrid's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Originals - Luisa Fernanda -". In this album, this song's track order is #2. Desde Este Apacible Rincón De Madrid is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Desde Este Apacible Rincón De Madrid by Luisa Fernanda, Federico Moreno Torroba, Fernández Shaw having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Las Golondrinas, Escena 2ª: "Caminar" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Cuore mio | Fabrizio Cesare, Antonello Bille | D♭ Major | 4 | 3B | 130 BPM | ||
La Rosa del Azafrán: "Catalina y coro general" | Coros Cantores De Madrid, Julita Bermejo | E Minor | 3 | 9A | 108 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ah talor del tuo pensiero" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Ferruccio Tagliavini, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 74 BPM | ||
El barberillo de Lavapiés, Acto II: Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | E Major | 3 | 12B | 118 BPM | ||
La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
La Canción del Olvido: "Toribio y Toribio y Coro de hombres" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Carlos Munguia | C Major | 3 | 8B | 122 BPM | ||
La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM |
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