"Donizetti: Lucia di Lammermoor, Act 1: "Ah talor del tuo pensiero" (Edgardo, Lucia)" by Gaetano Donizetti, Maria Callas, Ferruccio Tagliavini, Philharmonia Orchestra, Tullio Serafin was released on 1960. With Donizetti: Lucia di Lammermoor, Act 1: "Ah talor del tuo pensiero" (Edgardo, Lucia) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 35 in Donizetti: Lucia di Lammermoor (1959 - Serafin) - Callas Remastered by Gaetano Donizetti, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Donizetti: Lucia di Lammermoor, Act 1: "Ah talor del tuo pensiero" (Edgardo, Lucia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Lucia di Lammermoor, Act 1: "Ah talor del tuo pensiero" (Edgardo, Lucia) by Gaetano Donizetti, Maria Callas, Ferruccio Tagliavini, Philharmonia Orchestra, Tullio Serafin is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Norma (1997 Digital Remaster): Sinfonia ( Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 141 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Anna Bolena / Act 1: "Ah! qual sia cercar non oso" | Gaetano Donizetti, Susanne Mentzer, Samuel Ramey, Welsh National Opera Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 95 BPM | ||
La Belle Hélène: Au mont Ida trois deesses | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 177 BPM | ||
Donizetti: Poliuto, Act 1 Scene 4: "Di quai soavi lagrime" (Paolina) | Gaetano Donizetti, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 71 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM |
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