Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Carlos Munguia made "La Canción del Olvido: "Toribio y Toribio y Coro de hombres"" available on May 15, 2008. With La Canción del Olvido: "Toribio y Toribio y Coro de hombres" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "La Zarzuela: La Canción del Olvido" album is number 6 out of 8. Based on our statistics, La Canción del Olvido: "Toribio y Toribio y Coro de hombres"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of La Canción del Olvido: "Toribio y Toribio y Coro de hombres" by Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Carlos Munguia to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
Olas del Danubio | Gran Orquesta Vienesa | F Major | 4 | 7B | 180 BPM | ||
Nerva | Pasodobles Toreros | B♭ Major | 4 | 6B | 100 BPM | ||
El Amigo Melquiades: "Final por la Orquesta" - Remastered | Jose Serrano, Joaquín Valverde, Carlos Arniches, Orquesta Sinfonica, Indalecio Cisneros | F Major | 5 | 7B | 90 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Aprieta Bien el Cántaro - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | A Major | 5 | 11B | 189 BPM | ||
Los Nardos | Banda Española de Conciertos | E Major | 3 | 12B | 113 BPM | ||
Agarrate Saxo | Banda de Musica de Artajona | A♭ Major | 3 | 4B | 166 BPM | ||
La gran via: Introducción y polca de las calles | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 121 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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