"Come un Bel Di Di Maggio (Andrea Chenier)" by Jussi Björling was released on March 3, 1931. The duration of Come un Bel Di Di Maggio (Andrea Chenier) is about 3 minutes long, at 3:14. Based on our data, "Come un Bel Di Di Maggio (Andrea Chenier)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. The popularity of Come un Bel Di Di Maggio (Andrea Chenier) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come un Bel Di Di Maggio (Andrea Chenier) by Jussi Björling having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga | George Frideric Handel, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | E Major | 0 | 12B | 117 BPM | ||
Baracolle - From “The Tales of Hoffmann” | Katherine Jenkins, The Czech Film Orchestra, William Hayward | D Major | 5 | 10B | 163 BPM | ||
Studentsangen (The Student Song), "Sjungom studentens lyckliga dag" | Prins Gustaf, Jussi Björling, Studio Chorus, Nils Grevillius | G Major | 2 | 9B | 118 BPM | ||
Rigoletto: "Questa o Quella" | José Carreras | E♭ Major | 2 | 5B | 69 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | E Major | 0 | 12B | 94 BPM | ||
The Golden Cockerel: Hymn to the Sun | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 70 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
4 Lieder, Op. 27, TrV 170 (text by J.H. Mackay and H. Hart): No. 4. Morgen | Richard Strauss, Jussi Björling, Bertil Bokstedt | G Major | 3 | 9B | 90 BPM | ||
Fünf Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | D Major | 0 | 10B | 95 BPM |
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