"Preludes in Quarter-Tone System: XIV" by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher was released on 2006. The duration of Preludes in Quarter-Tone System: XIV is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Preludes in Quarter-Tone System: XIV's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Quarter-Tone Pieces". In this album, this song's track order is #6. Preludes in Quarter-Tone System: XIV is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preludes in Quarter-Tone System: XIV by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina for Piano 4 Hands: III. Vivace | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | D♭ Major | 2 | 3B | 102 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 6 Sehr langsam | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 184 BPM | ||
String Quartet No. 2, Op. 18: III. Allegro risoluto | Ivan Wyschnegradsky, Asasello Quartett, Rostislav Kozhevnikov, Barbara Streil, Justyna Sliwa, Teemu Myöhänen | C Major | 1 | 8B | 123 BPM | ||
Cirandas, W220: No. 16, Có-Có-Có | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Preludes in Quarter-Tone System: XXIII | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | A♭ Major | 4 | 4B | 165 BPM | ||
Troisième livre de pièces de clavecin: 15ème ordre, Muséte de taverni - Adapted by Marina Baranova | François Couperin, Marina Baranova | A Major | 0 | 11B | 98 BPM | ||
15 Preludes: No. 1. Allegro molto | Nino Rota, Gabriele Baldocci | B♭ Minor | 2 | 3A | 94 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Tiento de tantos tonos | Teresa Catalán, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM |
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