Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher made "Preludes in Quarter-Tone System: XXIII" available on 2006. With Preludes in Quarter-Tone System: XXIII being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Quarter-Tone Pieces". In this album, this song's track order is #11. The popularity of Preludes in Quarter-Tone System: XXIII is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Preludes in Quarter-Tone System: XXIII by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Játékok V, 25, Farewell to Pál Kadosa | György Kurtág, Pedro Alcalde | A Minor | 0 | 8A | 137 BPM | ||
Loneliness Anxiety | Metz Karl | F♯ Minor | 0 | 11A | 86 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
V mlhach (In the Mists), JW VIII/22: III. Andantino | Leoš Janáček, Andrew Rangell | B Major | 0 | 1B | 83 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation I | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
2 Piano Pieces, KSS 17: No. 1, In the Hothouse | Kaikhosru Sorabji, Michael Habermann | D Minor | 0 | 7A | 73 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936): I. Tempo giusto | Ivan Wyschnegradsky, Cyrille Guion, Martine Joste, Li Xie, Guanlan Xu, Léo margue | A♭ Minor | 2 | 1A | 115 BPM |
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