On March 23, 2022, the song "Suzuki Violin School Vol. 1: Perpetual Motion (Piano Accompaniment)" was released by Shinichi Suzuki, Pam Piano Accompaniments. With Suzuki Violin School Vol. 1: Perpetual Motion (Piano Accompaniment) being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Suzuki Violin School, Vol. 1 (Piano Accompaniment)". In this album, this song's track order is #13. Based on our statistics, Suzuki Violin School Vol. 1: Perpetual Motion (Piano Accompaniment)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suzuki Violin School Vol. 1: Perpetual Motion (Piano Accompaniment) by Shinichi Suzuki, Pam Piano Accompaniments having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suzuki Piano School Volume 1: Twinkle, Twinkle Little Star Variation A (Arr. For Piano) | Shinichi Suzuki, Magdalena Haubs | C Major | 2 | 8B | 118 BPM | ||
Entr'Acte from Carmen (Bizet) | Kimberly Shippey & Patricia Johnston | E♭ Major | 1 | 5B | 62 BPM | ||
Variations on 'Ah, vous dirai-je, Maman', K 265 Mozart | CHA Medical Center | C Major | 1 | 8B | 134 BPM | ||
Eine Kleine Nachtmusik for Ballet Class | Ballet L'école | D Major | 1 | 10B | 137 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 173 BPM | ||
Orphée Et Eurydice, Wq.41: Dance of the Blessed Spirits | Adelaide Symphony Orchestra, Ron Spigelman | F Major | 1 | 7B | 115 BPM | ||
Lightly Row (arr. for violin and piano) | Traditional, Shinichi Suzuki, Takako Nishizaki, Terence Dennis | A Major | 1 | 11B | 161 BPM | ||
Scènes de ballet, Op. 52: Marionettes | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 0 | 10B | 109 BPM | ||
Romanzen und Balladen, Book 2, Op. 49: No. 1. Die beiden Grenadiere (arr. for violin and piano) (piano predominant mix) | Robert Schumann, Shinichi Suzuki, Terence Dennis, Takako Nishizaki | D Major | 1 | 10B | 59 BPM | ||
Minuet in G major | Various Artists | B♭ Major | 3 | 6B | 189 BPM |
Section: 0.6377332210540771
End: 0.6427335739135742