Robert Schumann, Shinichi Suzuki, Terence Dennis, Takako Nishizaki's 'Romanzen und Balladen, Book 2, Op. 49: No. 1. Die beiden Grenadiere (arr. for violin and piano) (piano predominant mix)' came out on January 1, 2000. With Romanzen und Balladen, Book 2, Op. 49: No. 1. Die beiden Grenadiere (arr. for violin and piano) (piano predominant mix) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 78 in the song's album "Takako Nishizaki Plays Suzuki Evergreens (Piano predominant versions)". In this album, this song's track order is #52. Furthermore, we believe that the track originated from Hong Kong. Romanzen und Balladen, Book 2, Op. 49: No. 1. Die beiden Grenadiere (arr. for violin and piano) (piano predominant mix) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Romanzen und Balladen, Book 2, Op. 49: No. 1. Die beiden Grenadiere (arr. for violin and piano) (piano predominant mix) by Robert Schumann, Shinichi Suzuki, Terence Dennis, Takako Nishizaki having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 17, Wie aus der Ferne | Robert Schumann, Stephen Hough | B Major | 0 | 1B | 69 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Kinderszenen Op.15 num. 7 (Schumann) | Piano Colourful Sounds, Robert Schumann | D Minor | 0 | 7A | 140 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM |
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