"Violin Sonata in B Minor, Op. 27: II. Adagio molto" by Kurt Atterberg, Eszter Perényi, Ilona Prunyi was released on June 2, 1993. Since Violin Sonata in B Minor, Op. 27: II. Adagio molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Atterberg: Violin Sonata / Trio Concertante by Kurt Atterberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Violin Sonata in B Minor, Op. 27: II. Adagio molto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata in B Minor, Op. 27: II. Adagio molto by Kurt Atterberg, Eszter Perényi, Ilona Prunyi is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | ||
交響曲第4番 ニ短調 op. 120: II. Romanze (Ziemlich langsam) | Robert Schumann, Max Pommer, 札幌交響楽団 | B Major | 0 | 1B | 101 BPM | ||
Aladin: XVII. Was wisst denn ihr? | Kurt Atterberg, Staatsorchester Braunschweig, Jonas Alber, Oleksandr Pushniak | B Major | 3 | 1B | 113 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Budapest Strings, Karoly Botvay | B Major | 1 | 1B | 78 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre Orchestra | D Major | 1 | 10B | 175 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |
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