"Three Choral Pieces of the Music to the Alexey Tolstoy's Drama "Tsar Fyodor Ioannovich": Poem of Confession" by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir was released on July 14, 1995. The duration of Three Choral Pieces of the Music to the Alexey Tolstoy's Drama "Tsar Fyodor Ioannovich": Poem of Confession is about 3 minutes long, at 3:02. Based on our data, "Three Choral Pieces of the Music to the Alexey Tolstoy's Drama "Tsar Fyodor Ioannovich": Poem of Confession" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Russian Choir School: Vladimir Minin". In this album, this song's track order is #16. Three Choral Pieces of the Music to the Alexey Tolstoy's Drama "Tsar Fyodor Ioannovich": Poem of Confession is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Choral Pieces of the Music to the Alexey Tolstoy's Drama "Tsar Fyodor Ioannovich": Poem of Confession by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Come, let us worship | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | D♭ Minor | 1 | 12A | 67 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Pie Jesu (Requiem) | La Capella Reial De Catalunya, Hespèrion XX, Jordi Savall | B♭ Major | 0 | 6B | 70 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM |
Section: 0.9804818630218506
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