Georges Bizet, Geoffrey Pogson, Teresa Berganza, Gordon Sandison, Plácido Domingo, Ileana Cotrubas, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy's 'Carmen, WD 31 / Act III: "Halte! quelqu'un est là qui cherche à se cacher."' came out on January 1, 1978. With this song being about 5 minutes long, at 5:09, "Carmen, WD 31 / Act III: "Halte! quelqu'un est là qui cherche à se cacher."" by Georges Bizet, Geoffrey Pogson, Teresa Berganza, Gordon Sandison, Plácido Domingo, Ileana Cotrubas, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Carmen, WD 31 / Act III: "Halte! quelqu'un est là qui cherche à se cacher." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31 / Act III: "Halte! quelqu'un est là qui cherche à se cacher." by Georges Bizet, Geoffrey Pogson, Teresa Berganza, Gordon Sandison, Plácido Domingo, Ileana Cotrubas, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM |
Section: 0.747748851776123
End: 0.7520921230316162