"Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 23b, Pas de quatre. Variation I "The Gold Fairy"" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 23b, Pas de quatre. Variation I "The Gold Fairy" being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 23b, Pas de quatre. Variation I "The Gold Fairy" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 23b, Pas de quatre. Variation I "The Gold Fairy" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: No. 26, Mazurka and Entrance of the Prince (Allegro) | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 112 BPM | ||
Gaîté parisienne: Ländler (Allegro) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
Violin Sonata in F Major, MWV Q26: II. Adagio | Felix Mendelssohn, Anne-Sophie Mutter, André Previn | A Major | 1 | 11B | 102 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: No. 20, Court Dance (Andante grazioso) | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation VIII: Presto non troppo | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 175 BPM | ||
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM | ||
End Credits | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 62 BPM |
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