"Requiem in D minor, K.626: 2. Kyrie" by Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1991. The duration of Requiem in D minor, K.626: 2. Kyrie is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Requiem in D minor, K.626: 2. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Requiem" album is number 2 out of 14. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Requiem in D minor, K.626: 2. Kyrie is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: 2. Kyrie by Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Look at the world | John Rutter, The Cambridge Singers, City of London Sinfonia | G Major | 1 | 9B | 81 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Recordare | Wolfgang Amadeus Mozart, Freiburger Barockorchester, Johannes Weisser, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs | F Major | 1 | 7B | 83 BPM | ||
Messiah, HWV 56 / Pt. 2: "Hallelujah" | George Frideric Handel, Gabrieli, Paul McCreesh | D♭ Major | 3 | 3B | 110 BPM | ||
Messiah, HWV 56: Pastoral Symphony | George Frideric Handel, Bratislava City Chorus, Capella Istropolitana, Jaroslav Krcek | D Major | 2 | 10B | 111 BPM | ||
Magnificat in D Major, BWV 243: III. Quia respexit humilitatem | Johann Sebastian Bach, Barbara Schlick, Philippe Herreweghe, La Chapelle Royale | E Major | 5 | 12B | 110 BPM | ||
Concerto Grosso in C Major, Op. 3, No. 12: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 0 | 8B | 110 BPM | ||
Wells Jubilate | John Rutter, John Birch, The Cambridge Singers, Royal Philharmonic Orchestra | C Major | 2 | 8B | 129 BPM | ||
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : IV. Vivace | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Daniela Ruso, Anna Holbling, Capella Istropolitana | G Minor | 1 | 6A | 77 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): V. Communio - Lux æterna | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Freiburger Barockorchester, René Jacobs | D Minor | 1 | 7A | 79 BPM |
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