- BPM
- 86
- Key
- G Major
- Camelot
- 9B
Rigoletto / Act 3: La donna è mobile - Giuseppe Verdi, Roberto Alagna, Richard Armstrong, London Philharmonic Orchestra Information
- Acousticness
- 97%
- Danceability
- 28%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 0%
- Loudness
- -16.909 dB
Summary
"Rigoletto / Act 3: La donna è mobile" by Giuseppe Verdi, Roberto Alagna, Richard Armstrong, London Philharmonic Orchestra was released on April 6, 2024. The duration of Rigoletto / Act 3: La donna è mobile is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Rigoletto / Act 3: La donna è mobile's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rigoletto / Act 3: La donna è mobile is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rigoletto / Act 3: La donna è mobile BPM
The tempo marking of Rigoletto / Act 3: La donna è mobile by Giuseppe Verdi, Roberto Alagna, Richard Armstrong, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Rigoletto / Act 3: La donna è mobile Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | |
 | Verdi: Aida, Act 1:" Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM | |
 | La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | |
 | Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | |
 | Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | |
 | Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | |
 | Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | |
 | Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | |
 | Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM |
- ISRC
- GBAYC9500376
- Label
- L-M Records/RCA Records
Section: 0.707756757736206
End: 0.7121894359588623