"Symphonie "Mathis der Maler": 3. Versuchung des heiligen Antonius" by Paul Hindemith, San Francisco Symphony, Herbert Blomstedt was released on January 1, 1988. Symphonie "Mathis der Maler": 3. Versuchung des heiligen Antonius appears to be safe for all ages as it is not explicit. The track order of this song in Paul Hindemith, San Francisco Symphony, Herbert Blomstedt's "Hindemith: Symphonie 'Mathis der Maler' / Trauermusik / Symphonic Metamorphosis" album is number 3 out of 8. Symphonie "Mathis der Maler": 3. Versuchung des heiligen Antonius is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie "Mathis der Maler": 3. Versuchung des heiligen Antonius by Paul Hindemith, San Francisco Symphony, Herbert Blomstedt to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Visions fugitives, Op.22: 2. Andante | Sergei Prokofiev, Anna Gourari | E♭ Major | 0 | 5B | 66 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 134 BPM |
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