James Gilchrist made "LCL (Love, Cats, & Lunch)" available on January 1, 2003. With LCL (Love, Cats, & Lunch) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Special Compilation CD". In this album, this song's track order is #8. In terms of popularity, LCL (Love, Cats, & Lunch) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With LCL (Love, Cats, & Lunch) by James Gilchrist having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es erhub sich ein Streit, BWV 19: Chorale: Lass dein' Engel mit mir fahren (Chorus) | Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 1 | 1B | 97 BPM | ||
Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
Ach Herr, mich armen Sunder (Chorus) | Johann Sebastian Bach, Robin Tyson, Vernon Kirk, Jonathan Brown, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 1 | 1A | 79 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | D♭ Major | 3 | 3B | 114 BPM | ||
The Crucifixion: Processional to Calvary (Tenor, Chorus) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | C Major | 1 | 8B | 79 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
La Pasión según San Mateo, BWV 244: No. 8, Blute nur | Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín | B Minor | 3 | 10A | 92 BPM | ||
Jesu, meine Freude, BWV 227: X. So nun der Geist | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 2 | 2A | 93 BPM |
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